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Then one of the trio had an idea: What if there were something else in that maze? Colley added a little extra code and connected two Imlacs directly with a serial cable. You could solve the maze, and that was it. But Colley, writing in a retrospective for the DigiBarn Computer Museum, notes that it got boring soon enough. Thompson says that its graphics provided a sense of being in a space, and the three of them enjoyed wandering around its halls looking for the way out. The maze was small, sized 16 squares by 32. You could see corridors you could walk down.” From that, Thompson continues, “You basically got a maze. The cubes that were “there” formed the walls while the rest acted as hallways. Colley got excited and returned the next day with an implementation that Thompson says was, effectively, a bunch of cubes stacked next to each other. Palmer thought it would be cool in 3-D, but Colley doubted it was possible until Palmer noted that it could work if the maze had nothing but 90-degree angles.
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But one day while thinking about how to make something fun, they came up with the idea of creating a networked, multiplayer maze game. Their focus was on serious, “useful” software. Up to this point, Colley and Palmer, the senior members in the group, had refrained from making any games. In 1973 Colley figured out how to rotate a wireframe cube on the screen without the lines at the back showing.
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They started with 2-D games like Pong and duplications of other early arcade titles such as Drop Zone, which they regularly played at their local Togo’s sandwich shop in hopes of getting a score high enough to win a free sandwich. Being teenagers, this, of course, led to them mostly making games. Colley, Palmer, Thompson and the rest of the group were tasked with exploring the capabilities of these systems - to experiment and push the boundaries. These were programmable minicomputers with graphical displays - sort of the high-end personal computer of the time with enough memory to handle one person running what passed then for one decent-sized program. They worked in the computer graphics lab at NASA Ames, which was doing research into computational fluid dynamics to help design future spacecraft. There Thompson met fellow Bay Area high schoolers Steve Colley and Howard Palmer. In the summer of 1972, McCollum got Thompson into a college-level work-study program at NASA’s Ames Research Center. Perhaps most notably, Apple co-founders Steve Wozniak and Steve Jobs (who was a year above Thompson) learned the skills they required to build the Apple I computer from McCollum. He had just the right mentor, John McCollum, who was the electronics teacher at Homestead High School and who Thompson believes is the unsung hero of Silicon Valley. Greg Thompson was always more interested in electronics than medicine, which his anesthesiologist father had tried to push him into. This is the story of Maze, the video game that lays claim to perhaps more “firsts” than any other - the first first-person shooter, the first networked multiplayer game, the first game with both overhead and first-person view modes, the first game with modding tools and more.
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Two decades before id Software changed the game industry with Wolfenstein 3D and Doom, Colley, Palmer and MIT students Greg Thompson and Dave Lebling invented the first-person shooter. Before long, up to eight people could play in the same maze, blasting their friends across the ARPANET - a forebear to the internet.
Then they could shoot each other and even peek around corners.
Soon two people could occupy the maze together, connected over separate computers. Just a maze.īut Maze would evolve over the summer and the years that followed. You could walk around in the first person, looking for a way out of the maze, and that’s about it. Their maze program flickered into life with simple wireframe graphics and few of the trappings of modern games. They were high school seniors in a work-study program with NASA, tasked with testing the limits of the Imlac PDS-1 and PDS-4 minicomputers. Steve Colley had just figured out how to rotate a cube on the screen when Howard Palmer suggested they could make a three-dimensional maze.
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